I just had the simple and perhaps over used idea of telling my grandad's story mixed in with snapshot lines about my own dad and a best friend's grandad's experiences. And I wrote it for the sake of writing a song as good and sincere as I could manage. The song is called "When The Whistle Blows" and is focused on contemplating your last moments alive before going over the top in the WWI trenches.
I also wanted to confront my own feelings about death and the loss of close relatives. How I still picture them and see them in dreams. What would they say to me now?
It turned out that it was topical and now it's been used as one song among others as part of a WWI Centenary "Preston Remembers" described in local council literature as a
a partnership project that will join together the activities, exhibitions and events that are happening from 2014 – 2018 in Preston to mark the centenary of the First World War.
http://www.prestonremembers.org.uk/about/find-out-more/
I will be playing this song live in the Guild Hall Foyer in Preston this Friday the 13th June, between 1.45 and 2.45pm.It will also be used as part of a historical film to be shown at a live performance and later in schools.
(to listen to a song click on the link for free streaming...https://soundcloud.com/mike-kneafsey-songwriter
or visit this site http://www.reverbnation.com/musician/mikekneafsey)
Ironically I ended up rewriting it to take out the word "shit" and to have the song take the perspective of a Lancashire soldier not an Irish man fighting as someone recruited from a country run by the British Empire.
I didn't have to think long about agreeing to these changes as I'm born in Lancashire of Irish extract and wrote those words as a fictional story based around my own relatives experience. I'll change it back when I sing it anywhere else. Plus I have a soft spot for the work of local councils with an ethos of providing educational services as part of a democratically elected body paid for by the taxpayer. It's part of our communal life and part of our shared wealth.
When The Whistle Blows, written by Mike Kneafsey
Out in the wind and the weather
Trying to find the feeling in my face
Digging a hole for my body
To keep it in one piece
I was a boy from the village
Press ganged and made to stand in line
Swimming in oceans of madness
I pray that it's not my time
PRE CHORUS: When you're facing a ll your fear
And a second takes your life
I say to myself, what do I know,
who am I? To take my one last look at the sky?
You were a mad Jack the captain
Fighting for the English against the Hun
In mud and bombs and clouds of yellow poison
Which way should a man run?
So put up the ladders get ready
Hold onto your rifles if you can
A million may die on this day today
For a piece of land
CHORUS:
So think on all you know
And when that whistle blows ...it's over we go.
Running from Leyland to London
A man with no armistice in mind
The police and the priests they cannot catch you
If you make yourself hard to find
Gave up all my children to their future
Scattered all their lives and blew them free
Here's to good whiskey and the crucifix
Long may they carry me
So think on all you know and when that whistle blows
it's over we go...
And when you made it home
The town band played you in
Took you from the trenches to the mill
They teach us to serve
Put us to work
And then they train us to kill.
So put up the ladders get ready
Hold onto your rifle if you can
A million may die on this day today
For a piece of land.
So think on who you know
When that whistle blows
It's over we go...
Trying to find the feeling in my face
Digging a hole for my body
To keep it in one piece
I was a boy from the village
Press ganged and made to stand in line
Swimming in oceans of madness
I pray that it's not my time
PRE CHORUS: When you're facing a ll your fear
And a second takes your life
I say to myself, what do I know,
who am I? To take my one last look at the sky?
You were a mad Jack the captain
Fighting for the English against the Hun
In mud and bombs and clouds of yellow poison
Which way should a man run?
So put up the ladders get ready
Hold onto your rifles if you can
A million may die on this day today
For a piece of land
CHORUS:
So think on all you know
And when that whistle blows ...it's over we go.
Running from Leyland to London
A man with no armistice in mind
The police and the priests they cannot catch you
If you make yourself hard to find
Gave up all my children to their future
Scattered all their lives and blew them free
Here's to good whiskey and the crucifix
Long may they carry me
So think on all you know and when that whistle blows
it's over we go...
And when you made it home
The town band played you in
Took you from the trenches to the mill
They teach us to serve
Put us to work
And then they train us to kill.
So put up the ladders get ready
Hold onto your rifle if you can
A million may die on this day today
For a piece of land.
So think on who you know
When that whistle blows
It's over we go...
Here's a youtube
link to a live performance of the song When The Whistle Blows taken
last summer at the Picnic In The Park open air gig run by Preston City
Council in Avenham Park.
My grandfather Jack
Kneafsey was
photographed in full officer uniform though I don't know whether its the
Irish
or British Army as I've been told he was an officer in both. Maybe he
served in the new Irish
army after the Irish Free State (26 of Ireland's 32 counties) became
liberated from Britain in 1922. He was definitely, previously, a captain
in the Royal West Kents in WWI.
I'd never seen what he looked like before. And I don't know anything like the full truth of it.
I
was also told by relatives that he won medals, served in the trenches
and earned himself the nickname "Mad Jack." By all accounts he was quite
a ferocious, hard drinking chap.
I wrote the song based on my imagined scenarios and my own knowledge of history combined with hearsay and family stories. It is not intended as more than an emotional interpretation with my own experiences of life providing any real feelings of a real fear of death. I'm using my imagination.
I wrote the song based on my imagined scenarios and my own knowledge of history combined with hearsay and family stories. It is not intended as more than an emotional interpretation with my own experiences of life providing any real feelings of a real fear of death. I'm using my imagination.
Plus
my other
grandfather on my mother's side of the family, ended up as soldier and
then a mill worker. Along with other
relatives from Yorkshire who also served in the military or worked in
mills. My own father served in World War Two and my friend's Irish
grandfather served in WW1 claiming he'd been press ganged from his
village. He also took part in a mutiny. I used their stories as
inspiration as well.
The
main thrust of the song - the chorus itself was really about me finding
a photograph of my grandfather and wondering what it was that he lived
through. What made him the man he was? What was it like to face up to
the likelihood of your death, steel yourself and force yourself to stand
up and run into a living nightmare of destroyed flesh and bone in mud
and violence.
What
would it do to a man to come out the other side of that having
witnessed so much bloodshed? How could you live after that? And how did
it effect your children and their children? The generations to come
brutalised by a war over imperial territory, where human beings were
nothing more than fodder for the ambitions of a few.
I also felt that it was inspirational.
If
a man could be prepared to stand up and be killed then he might be
prepared for anything in life. The chorus is also intended as a general
digging deep for courage in the face of death.
But
since I wrote the song and the feelings are mine first and foremost I
can honestly says it also makes feel the bitter anger of knowing that
the ruling classes would happily treat us, the millworkers and soldiers,
the grandchildren of millworkers and soldiers as fodder. Military
fodder or low wage fodder. As part of a big plan which shows no
compassion for our humanity or our rights to a free and meaningful
existence and a real wage. And a German soldier or an Irish soldier is no different to an English soldier. They are all just people being used as fodder to fight for the territorial ambitions and egos of our rulers.
We're either cheap labour to be grateful or expendable hardware to be used in a war.
Incidentally....
I will be doing some solo sets at private functions this July as well as playing at Cloudspotting Festival.
Please click on the links and like our Facebook Page. https://www.facebook.com/SweeneyAstray
We also have an EP for sale - http://sweeneyastray.bandcamp.com/releases
Free music to stream and listen to...http://www.reverbnation.com/sweeneyastray
And an official website...http://www.sweeneyastray.co.uk/
Sweeney Astray (double bass/vocals - Hannah Dacey; drums - Anna Ashworth; lead vocals/guitar - Mike Kneafsey) will play their next live gig at the Oddbar in the northern quarter Manchester on August the 3rd. 2014.
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Here we are playing the Oddbar in 2013. |
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